Paradise Of The Blind, By Duong Thu - 1448 Words

In the story of life, time is a ravenous beast, destroying and building regardless and apathetic to whom it affects. An inescapable thing that never dies, but plagues people with its shapes of past, present, and future. In Paradise of the Blind by Duong Thu Huong, Duong doesn’t hold back when exposing the ugly face of the past. Hang, the protagonist, faces poverty, a broken family, and the loss of love from an early age, which force her mature quickly and harshly. Her exposure to such extreme, difficult circumstances and her subsequent adaptation result in her loss of innocence, instilling a bitterness in Hang that taints her. This bitterness - more of a mourning for her own childhood - exposes itself through Hang’s reflections on the†¦show more content†¦Duong’s decision to describe the snowflakes as â€Å"strange flowers† exposes Hang’s attachment to the landscape of her own home, and also the strangeness of this new landscape for her. The word choice of flowers and their connotation of spring provide contrast to the harsh winter. Hang’s simile comparing the snowflakes to a â€Å"luminous† childhood dream juxtaposes the description of them as â€Å"blinding shards† and â€Å"frail†, thus revealing Hang’s opinion of dreams as something rarely obtained. Surely as a child she imagined the best that might have happened, and had such optimistic hopes of what might have been. They are thus associated with sorrow by the simile, reflective of the cruel reality she faced when her dreams were suffocated as a child. The snowy landscape also triggers a more consuming flashback to a time in Hang’s childhood. Duong provides vivid imagery of the beautiful landscape of the bay - â€Å"Clouds floated like puff jade along the horizon, a line broken jagged by solitary rocks.. This endless jade-colored necklace fallen to the earth.† (Duong ) The metaphor comparing the clouds to a jade -colored necklace further emphasizes the landscape’s beauty and richness. The idea of a jade necklace, a material wealthy good, introduces the idea that the natural landscape is a gift, accessible by all. Duong emphasizes this with the subsequent sentiment that â€Å"beauty knows no frontiers, seduces without discrimination† (Duong 83). 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